In the Escher Composition, I explore visual duality, impossible logic, and the transition of one form into another. The Truchet tiles are arranged so the image can be read at once as an abstract pattern, an architectural structure, a labyrinth, and a field of movement.
This composition comes from my interest in the moment when a strict mathematical system begins to produce paradox. The line follows rules, yet the result goes beyond simple logic. The flat surface starts to behave like impossible architecture. For me, this work exists on the border between calculation and illusion, order and visual impossibility.